Command every stage of production.


The change
Change it once. See the impact.
See what one change touches, then approve it. Abby proposes. You approve by hand, and the crew note is prepared, not sent.
18 EXT. EAST-SIDE DINER — DAWN
A production van turns onto the wet street. MARG waits outside the diner, pages in hand.
- Schedule
East-side diner 06:30→ West-side diner 06:05- Transport
12 km→ Unit van · 20 km- Budget
$33,177.50→ $33,752.50 +$575.00- Team update
- Call and location note · prepared, not sent
- Venue
$1,000.00→ $1,500.00 allowance- Move
- +8 km, +25 min · inside the unit van line
- Subtotal
$28,850.00→ $29,350.00- Contingency
- 15% ·
$4,327.50→ $4,402.50 - Total
$33,177.50→ $33,752.50 +$575.00


01 / Write
Write the story.
A screenplay in standard format, scene by scene. Scene 18 is the page the rest of this production follows.
Writer- Cast
- MARG, PA
- Shoots
- Day 06
02 / Plan
Plan the production.
The same scene becomes a strip on the board, a day in the schedule, and a line in the budget. Move one and the others follow.
Stripboard, DOOD and call sheets ↗- DOOD
- MARG · Day 06 · W
- Locations
- Venue allowance · $1,000.00
- Budget
- $33,177.50 · incl. 15% contingency



03 / Run
Run the day.
The call sheet is assembled from the schedule and issued. Who was sent it, and who confirmed, is kept by name. Camera and sound reports come back against the same scene.
Dailies and Today- Unit call
- 06:30
- Camera
- Sc 18 · Tk 3 · circled
- Sound
- Sc 18 · Tk 3 · sync
- DPR
- Day 06 · pages shot 1 2/8
04 / Deliver
From final frame to next stage.
Cut in the browser, track versions and delivery readiness, then plan the schedule a buyer or festival actually asks for.
Post and release ↗- Format
- ProRes 422 HQ
- Picture
- Locked · Ready
- Captions
- Pending
- Registry
- Who was sent what, and when

Questions.
Short answers about the workflow, who it is for, approvals, and early access. The docs go deeper.
Where does a production start?
With the script. Import it in Studio or write it in Writer, break it into scenes, and every later document keeps the scene numbers: the stripboard, the day out of days, the call sheet, the reports.
Who is it for?
Producers, production managers, first ADs, and directors running a film, from development through delivery. The rooms are laid out by department.
Does anything change without approval?
Not unless you change the approval mode. By default Abby proposes and you approve by hand. In the automatic modes, a schedule change inside 12 hours of call still waits for you, and every change Abby makes is logged with what it changed.
How does early access work?
Leave your email and role below. Requests are reviewed by a person, and we reply by email. It is a request, not an instant account.

Early access
Begin your next production.
Tell us who you are and what you are making. We review every request and reply by email.



