Command every stage of production.

ProdMARG
Scene18
Take3
RollA014
Day06
Call06:30
MARG stripboard, days 05 to 07, with scene 18, exterior dawn at the East-side diner, placed on day 06
Ext. East-side diner · DawnIllustrative figures

The change

Change it once. See the impact.

See what one change touches, then approve it. Abby proposes. You approve by hand, and the crew note is prepared, not sent.

18 EXT. EAST-SIDE DINER — DAWN

A production van turns onto the wet street. MARG waits outside the diner, pages in hand.

Scene 18 · Location changeProposed
Schedule
East-side diner 06:30 → West-side diner 06:05
Transport
12 km → Unit van · 20 km
Budget
$33,177.50 → $33,752.50 +$575.00
Team update
Call and location note · prepared, not sent
Awaiting your approval
Budget · Day 06Recalculated
Venue
$1,000.00 → $1,500.00 allowance
Move
+8 km, +25 min · inside the unit van line
Subtotal
$28,850.00 → $29,350.00
Contingency
15% · $4,327.50 → $4,402.50
Total
$33,177.50 → $33,752.50 +$575.00
Unit-move map for scene 18: the old 12 km route from the unit base to the East-side diner, struck, and the proposed 20 km unit van route from the unit base to the West-side diner
12 km becomes 20 km
Screenplay page 18: EXT. East-side diner, dawn. Marg hands the PA the new pages.
Scene 18 · 1 2/8 pages

01 / Write

Write the story.

A screenplay in standard format, scene by scene. Scene 18 is the page the rest of this production follows.

Writer
MARG · Screenplay · ScenesFountain
17INTNIGHTMARG'S APARTMENT2/8
18EXTDAWNEAST-SIDE DINER1 2/8
19INTDAYDINER · COUNTER2 4/8
Cast
MARG, PA
Shoots
Day 06

02 / Plan

Plan the production.

The same scene becomes a strip on the board, a day in the schedule, and a line in the budget. Move one and the others follow.

Stripboard, DOOD and call sheets ↗
MARG · Stripboard · Day 06Fri
18EXTDAWNEAST-SIDE DINER1 2/8
19INTDAYDINER · COUNTER2 4/8
DOOD
MARG · Day 06 · W
Locations
Venue allowance · $1,000.00
Budget
$33,177.50 · incl. 15% contingency
Day out of days for MARG: nine cast members across shoot days 01 to 12, with the Day 06 column marked
DOOD · Day 06 · 6 work · 2 hold
Scene 18, take 3, circled: the boom track slipped onto the camera scratch track and locked on the clap at 07:12:04:00
Sound to picture · linked

03 / Run

Run the day.

The call sheet is assembled from the schedule and issued. Who was sent it, and who confirmed, is kept by name. Camera and sound reports come back against the same scene.

Dailies and Today 
MARG · Call sheet · Day 06Issued
18EXTDAWNEAST-SIDE DINER1 2/8
Unit call
06:30
Camera
Sc 18 · Tk 3 · circled
Sound
Sc 18 · Tk 3 · sync
DPR
Day 06 · pages shot 1 2/8

04 / Deliver

From final frame to next stage.

Cut in the browser, track versions and delivery readiness, then plan the schedule a buyer or festival actually asks for.

Post and release ↗
DeliveryFestival screener
Format
ProRes 422 HQ
Picture
Locked · Ready
Captions
Pending
Registry
Who was sent what, and when
Version timeline for MARG: v1 assembly through v5 fine cut to picture lock at v6, then captions pending, the festival screener in ProRes 422 HQ, and the DCP, planned
Picture · locked at v6

Questions.

Short answers about the workflow, who it is for, approvals, and early access. The docs go deeper.

Read the docs ↗

Where does a production start?

With the script. Import it in Studio or write it in Writer, break it into scenes, and every later document keeps the scene numbers: the stripboard, the day out of days, the call sheet, the reports.

Who is it for?

Producers, production managers, first ADs, and directors running a film, from development through delivery. The rooms are laid out by department.

Does anything change without approval?

Not unless you change the approval mode. By default Abby proposes and you approve by hand. In the automatic modes, a schedule change inside 12 hours of call still waits for you, and every change Abby makes is logged with what it changed.

How does early access work?

Leave your email and role below. Requests are reviewed by a person, and we reply by email. It is a request, not an instant account.

Early access

Begin your next production.

Tell us who you are and what you are making. We review every request and reply by email.